On the High Line at 14th St.
Ballet and modern dance clash in this performance that brings Fernandes' signature dance based practice of using movement as a metaphor for social change to the High Line. Dueling dancers will expose hierarchies in dance, power, bodies and culture with their distinct forms of movement.
Now in its third year, Out of Line presents a new set of arresting, intriguing, and playful performances by some of New York City's most exciting contemporary artists.
RSVP for this program beginning July 20. To be notified, please join our mailing list.
We encourage all persons with disabilities to attend. To request additional information regarding accessibility or accommodations at a program, please contact firstname.lastname@example.org or 646.774.2482. Program venues are accessible via wheelchair accessibility points, and ASL interpretation can be arranged two weeks in advance.
ABOUT THE ARTISTS
Brendan Fernandes is a Canadian artist of Kenyan and Indian descent. He completed the Independent Study Program of the Whitney Museum of American Art (2007) and earned his MFA from the University of Western Ontario (2005) and his BFA from York University in Canada (2002). Fernandes has exhibited widely domestically and abroad, including exhibitions at the Solomon R. Guggenheim Museum, New York; Museum of Modern Art, New York; Museum of Art and Design, New York; Musee d'art contemporain de Montreal; The National Gallery of Canada, Ontario; The Brooklyn Museum, New York; The Studio Museum in Harlem, New York; Mass MoCA, North Adams, MA; The Andy Warhol Museum, Pittsburgh, PA; Deutsche Guggenheim, Berlin; Bergen Kunsthall, Norway; Stedelijk Museum, Amsterdam; The Sculpture Centre, New York; The Quebec City Biennial; and the Third Guangzhou Triennial in China.
Fernandes has been awarded many highly regarded residencies around the world, including The Canada Council for the Arts International Residency in Trinidad and Tobago (2006), The Lower Manhattan Cultural Council's Work Space (2008), Swing Space (2009) and Process Space (2014) programs, and invitations to the Gyeonggi Creation Centre at the Gyeonggi Museum of Art, Korea (2009) and ZKM, Karlsruhe, Germany (2011). He was a finalist for the Sobey Art Award, Canada's pre-eminent award for contemporary art in 2010, and was on the longlist for the award in 2013 and 2015. In 2014, he was a recipient of a Robert Rauschenberg Residency and Fellowship. Recent exhibitions include, Lost Bodies, which originated at the Agnes Etherington Art Centre, Queen's University, Ontario (2016), travelled to the Textile Museum of Canada, Toronto (2017) and culminated in the catalogue, Lost Bodies: Brendan Fernandes. His recent monograph, Brendan Fernandes: Still Move, was published by Black Dog Press, London, in Fall of 2016. Fernandes is currently represented by Monique Meloche Gallery in Chicago. His first solo exhibition at Monique Meloche Gallery, Free Fall, took place in January, 2017, and an expanded version of the performance, Free Fall 49, took place at the J. Paul Getty Museum, Los Angeles in summer 2017. He is currently Artist in Residence and Faculty at Northwestern University in the Department of Art Theory and Practice.
High Line Programs are supported, in part, with public funds from the New York City Council, under the leadership of Speaker Corey Johnson.