Broken Bridge II

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Author: 
Amelia Krales
Andrew Frasz's image of El Anatsui's Broken Bridge II on the High Line Photographer Andrew Frasz 's image of El Anatsui’s Broken Bridge II captures the majesty of this work on a brilliant morning. The piece is installed between West 21 and 22 Streets on the High Line and is on view until September 30.

Brooklyn-based High Line Photographer Andrew Frasz perfectly captured the brilliant color and detail of High Line Art installation Broken Bridge II in the context of the High Line. His images of the park on this early morning speak to the precision and skill he brings to his craft, and when looking through his work one can clearly see his knack for representing spaces in a clear, beautiful way. See the rest of Andrew’s images from that morning here.

Read more after the break.

Author: 
Jennette Mullaney
Goshka Macuga, Colin Powell, 2009. Part of Busted, a HIGH LINE COMMISSION. On view April 2013 – April 2014 on the High Line, New York. Photo by Timothy Schenck. Courtesy of Friends of the High Line.

We’re excited to bring you a fantastic spring season of art on the High Line, with new commissions, installations, and video screenings by acclaimed artists. Our overview of what’s on view takes you northward, from Gansevoort Street to the High Line at the Rail Yards.

Author: 
Ashley Tickle
El Anatsui in front of his HIGH LINE COMMISSION Broken Bridge II. Photo by Austin Kennedy.

This past fall Art21 stopped by the High Line to film the installation of El Anatsui’s HIGH LINE COMMISSION Broken Bridge II, located on a wall adjacent to the High Line between West 21st and West 22nd Streets.

Follow us after the jump to watch the video.

Author: 
Ashley Tickle
Photo by Austin Kennedy.
 

In last week’s New York Observer, writer Andrew Russeth spoke with El Anatsui about his theory and process behind Broken Bridge II, his largest public artwork to date, which is now on view at the High Line.

“I felt the skyline is a strong defining element of this city, so the mirrors form large segments of the top. They invite the sky and skyline into the work in such a way that you do not know where mirrors end and sky begins,” the artist told the Observer.

Follow us after the jump to watch a timelapse video of the installation.

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