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Ashley Tickle
Photo by Timothy SchenckAn installation view of Carol Bove's High Line Commission Caterpillar installed on the High Line at the Rail Yards in 2013. Photo by Timothy Schenck.

Friends of the High Line founded High Line Art in 2009 with the opening of the first section of the High Line. The mission of High Line Art is to present a wide array of artwork including site-specific commissions, exhibitions, performances, video programs, and a series of billboard interventions. We invite artists to think of creative ways to engage with the uniqueness of the architecture, history, and design of the High Line and to foster a productive dialogue with the surrounding neighborhood and urban landscape. Since 2011, High Line Art has been curated by Cecilia Alemani. Previously, the program was curated by Lauren Ross.

Since 2009, High Line Art has worked with over 120 artists from around the world, including up-and-coming artists as well as mid-career and established artists. We have presented more than 22 commissions; 21 videos on High Line Channels 14 and 22; 18 billboards; and 14 performances.

Ashley Tickle
Photo by Timothy SchenckPhoto by Timothy Schenck

There are only a few days left to see artist’s Faith Ringgold’s fun and colorful High Line Billboard, Groovin High, next to the High Line at West 18th Street.

Faith Ringgold is a painter, writer, speaker, mixed media sculptor, and performance artist working in Englewood, New Jersey. Since the early 1960s, Ringgold has been known since for her story quilts, politically charged paintings and prints, and illustrated children’s books. She has eloquently articulated a critical perspective on American identity through the lenses of the feminist and civil rights movements. Her boldly colorful geometric compositions point to influences from early American and European Modernism, dhakas – richly brocaded Tibetan paintings – and African masks. Her choice of the quilt as her primary medium in later years reflects a fundamental connection to practicality and her ancestors' feminine crafts.

For the High Line, Ringgold revisited her colorful and paradigmatic story quilt Groovin High (1986), one of the many story quilts Ringgold created that inspired a revival of the medium in the late 1970s. Depicting a crowded dance hall bordered by quilted hand-dyed fabrics, Groovin High is evocative of Ringgold’s memories of Sunday afternoon dances at the Savoy and her connection to the African American communities of her native Harlem. Her style reflects formal treatments of shape, color, and perspective reminiscent of many painters whose styles defined the Harlem Renaissance, an immensely productive and creative cultural movement of the 1920s that erupted out of the African American community living in the eponymous New York neighborhood.

Groovin High will be on view through June 2 and is located within the Edison ParkFast parking lot next to the High Line at West 18th Street and 10th Avenue.

You can also visit Ringgold’s mosaic Flying Home: Harlem Heroes and Heroines (Downtown and Uptown) at the 125th Street 2/ 3 subway station.

See more photographs of Groovin High below.

Erika Harvey
Last Friday, David Shrigley’s humorous piece, How Are You Feeling?, debuted on HIGH LINE BILLBOARD. It will be on view through May 7. Image courtesy of David Shrigley.

Spring is in the air throughout the park. You’ll notice bright flowers popping up among the trimmed back grasses, new green shoots appearing in the planting beds, and the sweet scent of trees and shrubs covered in blooms. High Line Art is also gearing up for an exciting season of new installations, performances, and film screenings.

Here is a look at what’s on view in April.