Spencer Finch, The River That Flows Both Ways [1]
[2]The River That Flows Both Ways
Debuted June 9, 2009
On the High Line at the Chelsea Market Passage
Inspired by the Hudson River, Spencer Finch [3]'s The River That Flows Both Ways documents a 700-minute (11 hours, 40 minutes) journey on the river in a single day. The title is a translation of Muhheakantuck, the Native American name for the Hudson that refers to the river’s natural flow in two directions. Like the rail line that existed on the High Line, the Hudson River was, and still is, an active route for the transportation of goods into Manhattan. The river and the High Line have always been linked in their geography, their function, and their imprints on the industrial legacy of the city.
From a tugboat drifting on Manhattan's west side and past the High Line, Finch photographed the river's surface once every minute. The color of each pane of glass was based on a single pixel point in each photograph and arranged chronologically in the tunnel’s existing steel mullions. Time is translated into a grid, reading from left to right and top to bottom, capturing the varied reflective and translucent conditions of the water's surface. The work, like the river, is experienced differently depending on the light levels and atmospheric conditions of the site. In this narrative orientation, the glass reveals Finch's impossible quest for the color of water.
This installation is presented in partnership with Creative Time [4], and the New York City Department of Parks & Recreation [5], and is made possible by a generous grant from The Rockefeller Foundation's New York City Cultural Innovation Fund. This project was made possible, in part, through the generous support of Chelsea Market and in-kind support from Jaroff Design and Mison Concepts, Inc.
Watch the Thirteen Sunday Arts Profile of Spencer Finch [6]
Spencer Finch, The River That Flows Both Ways, 2009. Photo by Iwan Baan. 
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