Arunanondchai presents the third film in his ongoing series, a living archive of the artist’s thoughts and feelings around current events and people in his life.

In this portrait of Swiss-Austrian émigrés Vivian Suter and her mother Elisabeth Wild, Nashashibi documents the artists’ remote handcrafted matriarchal compound in Panajachel, Guatemala.

Knight’s a new video work considers how anhedonia—the inability to experience and feel pleasure—has the potential to be wielded as a form of power and control through systemic isolation.

For the first High Line Originals film, Tourmaline presents a short about Mary Jones, a 19th-century Black trans New Yorker as she discovers her power in the face of heightened systemic racism and transphobia.

Water Lines features video works that look at the absurd ways humans divide up the world across bodies of water.

In celebration of the Merce Cunningham Centennial, High Line Art screens three films of Cunningham’s choreographies for the camera.