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Photo by Ilana Harris-Babou, Leaf of Life, 2022. Courtesy of the artist.

Ilana Harris-Babou

Help Yourself

March 17–May 10, 2022
Location

On the High Line at 14th St.

Ilana Harris-Babou is known for her videos that parody reality television tropes such as cooking and home-improvement shows, and star her and her mother, Sheila Harris. Across her videos and sculptures, she focuses on “self-improvement” and how aspirations for health and wellness become framed as moral decisions in contemporary culture. Especially in Harris-Babou’s most recent work, she shifts her frame to question how inequality in the US is presented as a failure of personal decision-making and commitments to wellness.

For the High Line, Harris-Babou shares four films created over the past five years. The earliest work in the exhibition is Cooking with the Erotic (2016; 12 min.), a cooking show where the artist and her mother use real food, art materials, and construction materials to offer tutorials for absurd concoctions. Finishing a Raw Basement (2017; 7 min) is Harris-Babou’s ode to home improvement, filled with buzzwords like “modern,” transitional,” and “classic” alongside Harris’s calls for reparations and not dismantling the father’s house with the father’s tools. In Fine Lines (2020: 10 min), Harris performs her beauty routine tutorial for meeting with a real estate developer. In the video, she reads letters she’s received from numerous developers trying to buy her Brooklyn home. For Leaf of Life (2022: 18 min.) Harris-Babou interviewed her sister about her experience working as a disillusioned health-care professional, as well as diet and wellness practices following the popular health guru, herbalist, and healer Dr. Sebi.

Organized by Melanie Kress, High Line Art Associate Curator.

Artist bio

Ilana Harris-Babou (b. 1991, Brooklyn, New York) lives and works in Brooklyn. She has presented solo exhibitions of her work at institutions including Kunsthaus Hamburg, Hamburg, Germany (2021); Goucher College, Baltimore, Maryland (2021); Jacob Lawrence Gallery, University of Washington, Seattle (2020); and The Museum of Arts and Design, New York, New York (2017). Her work has been featured in group exhibitions including Contact Traces, CCA Wattis Institute, San Francisco, California (2021); Care Box, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2021); and After the Plaster Foundation, Queens Museum, Corona, New York (2020). She has participated in major exhibitions including the Istanbul Design Biennial, Turkey (2020); and the Whitney Biennial, Whitney Museum of American Art, New York, New York (2019).


Support

Lead support for High Line Art comes from Amanda and Don Mullen. Major support for High Line Art is provided by Shelley Fox Aarons and Philip E. Aarons, The Brown Foundation, Inc. of Houston, and Charina Endowment Fund. High Line Art is supported, in part, with public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the New York City Council.