Park update: The Spur & Coach Passage sections of the High Line at 30th St. & 10th Ave. will be closed to the public on May 19. The rest of the park will remain open.
**Due to technical difficulties, the High Line Channel is currently on pause.**
Daily, beginning at 8pm
Working across cinema and installation, Onyeka Igwe creates non-fiction films that use text, images, and film from historical archives to shift the maps of how we understand the past and the present. Igwe’s films unfoldlike figure eights, led through music, performance, and mesmerizing voice-overs. Using a forensic lens, Igwe draws audiences into individual and shared stories that expand onto a multiplicity of narratives, rather than a singular, reductive history.
Onyeka Igwe presents the second commission in High Line Originals, a format for realizing new video artworks. The Miracle on George Green tells a collective social history of the UK tradition of the commons—land collectively owned and used to gather, play, and debate. The film centers around the George Green treehouse in East London. In the early 1990s, when the old sweet chestnut tree that housed the treehouse was threatened, a group of schoolchildren wrote letters to the treehouse as part of a campaign to save it. From this story, Igwe’s film expands outward through archival materials from other social collective sites: Diggers of the 17th century, radical summer camps in Upstate New York in the 1930s and 40s, anti-war protests of Greenham Common in the 1980s, squatting communities of road protest camps in the 1990s, and the outdoor raves of the 2000s. Igwe’s vision of the past and potential futures for the commons is particularly welcome on the High Line, a space built for connection and communality.
Onyeka Igwe (b. London, England) lives and works in London, England. Her work has been presented in solo exhibitions and screenings at LUX, London, England (2021); Mercer Union, Toronto, Canada (2021); and Jerwood Arts, London, England (2019). Her video works have been screened at institutions and festivals including KW Institute for Contemporary Art, Berlin, Germany (2020); London Film Festival, London, England (2020 and2015); Rotterdam International Film Festival, Rotterdam, Netherlands (2020, 2019, and 2018); CC Matienzo, Buenos Aires, Argentina (2019); Smithsonian African American Film Festival, Washington, DC (2018); The Showroom, London, England, (2018); Institute of Contemporary Arts: ICA, London, England (2017); and Edinburgh Artist Moving Image, Edinburgh, Scotland (2016). She has been featured in major international presentations including the Dhaka Art Summit, Dhaka, Bangladesh (2020); and Berlin Biennale, Germany (2018). She was awarded the 2020 Arts Foundation Futures Award for Experimental Short Film and the 2019 Berwick New Cinema Award.
Lead support for High Line Art comes from Amanda and Don Mullen. Major support is provided by Shelley Fox Aarons and Philip E. Aarons, The Brown Foundation, Inc. of Houston, and Charina Endowment Fund. Project support is provided by Charlotte Feng Ford and Vivian and James Zelter. Additional support is provided by The Andy Warhol Foundation for the Visual Arts. High Line Art is supported, in part, with public funds from the New York City Department of Cultural Affairs in partnership with the New York City Council, under the leadership of Speaker Adrienne Adams.