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July 24, 2019
"A New Understanding of Place": An Interview with High Line Art Associate Curator Melanie Kress
By High Line
High Line Art’s associate curator, Melanie Kress discusses the history, present, and future of our Channel video program and performance series.
By High Line | July 24, 2019
High Line Art’s associate curator, Melanie Kress discusses the history, present, and future of our Channel video program and performance series.
June 6, 2019
A Zombie Fish on the Plate of Public Space: An Interview with High Line En Plein Air Artist Ei Arakawa
By High Line Art
For the High Line 2019 group exhibition En Plein Air, Ei Arakawa installs two new singing LED paintings at 26th Street.
By High Line Art | June 6, 2019
For the High Line 2019 group exhibition En Plein Air, Ei Arakawa installs two new singing LED paintings at 26th Street.
May 31, 2019
In the Works: A Studio Visit with Ryan Sullivan
By High Line Art
Artist Ryan Sullivan looks to improvisation to inform his process of making paintings.
By High Line Art | May 31, 2019
Artist Ryan Sullivan looks to improvisation to inform his process of making paintings.
April 18, 2019
A Harvest Revolution: Movimiento Cosecha
By High Line Art
The fight for labor and immigrant rights for the 11 million people who call this country both work place and home.
By High Line Art | April 18, 2019
The fight for labor and immigrant rights for the 11 million people who call this country both work place and home.
February 4, 2019
New Monuments for New Cities and Imagining Memorials for Today
By High Line Art and High Line Network
With historical evolution, we get to imagine who becomes landmark.
By High Line Art and High Line Network | February 4, 2019
With historical evolution, we get to imagine who becomes landmark.
January 25, 2019
“C.R.E.A.M.”: Keeping it Real for 25 Years
By High Line Art
Twenty-five years after Wu-Tang Clan’s “C.R.E.A.M.” was released as a single, the artist and writer Sable Elyse Smith springboards from the song...
By High Line Art | January 25, 2019
Twenty-five years after Wu-Tang Clan’s “C.R.E.A.M.” was released as a single, the artist and writer Sable Elyse Smith springboards from the song to grapple with the same issues: a prison system that hinges on the trap of poverty...
January 14, 2019
The Making of Brick House
By High Line Art
Simone Leigh’s Brick House inaugurates the Plinth, the groundbreaking new site for large-scale artworks on the Spur.
By High Line Art | January 14, 2019
Simone Leigh’s Brick House inaugurates the Plinth, the groundbreaking new site for large-scale artworks on the Spur.
November 6, 2018
Living in a Technobody Wonderland
By Meg Whiteford
The films in Machines of Loving Grace show us that our bodies are, for better or for worse, bound up in the technology we have created. Machines of...
By Meg Whiteford | November 6, 2018
The films in Machines of Loving Grace show us that our bodies are, for better or for worse, bound up in the technology we have created. Machines of Loving Grace runs daily beginning at dusk, now through January 2, 2019, on the High Line...
May 4, 2018
Art is in Bloom
By Janelle Grace
Spring has (finally) sprung, and art is in bloom on the High Line. Popping up this season are several exhibitions featuring an international roster of...
By Janelle Grace | May 4, 2018
Spring has (finally) sprung, and art is in bloom on the High Line. Popping up this season are several exhibitions featuring an international roster of artists inspiring conversation and surprise. Pope.L, chmera, 2018. Part of Agora, a...
January 9, 2017
High Line Art Announces the High Line Plinth
By Brittney Seegers
You may have seen a recent article in The New York Times about the High Line Plinth—a new landmark destination for major public art commissions that...
By Brittney Seegers | January 9, 2017
You may have seen a recent article in The New York Times about the High Line Plinth—a new landmark destination for major public art commissions that will be on the High Line at West 30th Street and 10th Avenue on the Spur, the new...