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Christian Barclay
Josh Kline's Skittles part of the High Line Art group exhibition, Archeo. Photo by Timothy Schenck

Josh Kline’s Skittles, part of the group exhibition Archeo, is an industrial refrigerator containing smoothies produced by the artist using unconventional and poetic combinations of ingredients, including kale chips, squid ink, sneakers, phone bills, and pepper spray. Each smoothie stands as a portrait of a different contemporary lifestyle. When grouped together, they evoke a landscape of aspiration, taste, and – at times – deprivation in a metropolis like New York City.

Erika Harvey
Photo by Timothy SchenckIsabelle Cornaro's artwork stands amid a canopy of trees and cheery hedgenettle. Photo by Timothy Schenck

The presence of High Line Art’s group exhibition Archeo changes with the seasons. In summer, as lush foliage reaches up, encircles, and even obscures parts of the artworks, the visitor’s experience is almost that of a treasure hunt. Rather than seeing an artwork from a block away, sometimes a pause or slower walking pace is necessary to notice a piece peeking out from the back of a planting bed.

The three sculptures of God Box (column) by French artist Isabelle Cornaro – one of which is pictured here – are both alien and familiar, and both at home and foreign within the High Line’s landscape. One can imagine they are monuments of a futuristic society or that they were dropped here by visitors from another planet. After all, that was High Line Art Curator Cecilia Alemani’s intention.

“On the High Line – where freight trains used to run 30 feet above the street, in a landscape worthy of the futuristic machinations of a science fiction movie – the sculptures presented in Archeo punctuate the landscape in unusual ways, creating a gallery of artifacts from a futuristic past,” Cecilia said at Archeo’s installation earlier this spring.

Download the current High Line Art Map to learn more about all of High Line Art’s current artworks on view.

Erika Harvey
Photo by Timothy SchenckJessica Jackson Hutchins’ sculpture Him and Me is turning heads on the Falcone Flyover, on the High Line between West 25th and West 26th Streets. Photo by Timothy Schenck

High Line Art’s third group exhibition kicked off this week with the installation of eight artworks by seven national and international artists. Titled Archeo, this exhibition explores humanity’s alternating fascination and frustration with technology. From the rusty industrial (reminiscent of the once-derelict High Line) Common Crossings by Marianne Vitale to the hauntingly contemporary and semi-familiar Skittles by Josh Kline, each work transforms the ordinary visitor into an archeologist, uncovering human-made “artifacts” of post-industrial society.

This week’s Photo of the Week by photographer Timothy Schenck captures Jessica Jackson Hutchins’ organic and personal-feeling artwork, lovingly entitled Him and Me. This ceramic sculpture takes respite in a hand-woven hammock beneath the High Line’s Falcone Flyover, between West 25th and West 27th Streets.

Learn more about all of the artworks of Archeo.

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