Coming in September, Glenn Ligon’s Untitled (America/Me) relaunches 18th Street Billboard. The massive 25 × 75-foot billboard demonstrates the increasingly complex relationship between the individual and society as experienced in the United States.

For the third High Line Originals commission, Alicia Mersy presents NYC Wisdom, a film of everyday New Yorkers sharing what brings them happiness, positivity, and energy.

Arthur Simms creates a new site-specific sculpture, A Totem for the High Line., which stands on the park at 16th Street as an homage to transformation and the perpetual unfolding of our past, present, and future.

On the High Line at 20th Street, Teresa Solar-Abboud presents Birth of Islands, a new sculpture in her series of zoomorphic shapes inspired by animals and prehistoric life forms.

On the High Line under the Standard Hotel at Little West 12th Street, Tishan Hsu presents two biomorphic car forms constructed out of resin-wrapped foam, covered in glitching, screen-like skins.

María Magdalena Campos-Pons presents American Vignettes, a two-sided billboard featuring paintings that the artist has pieced together and arranged into a grid-like presentation.

Located on the park at 24th Street, Giulia Cenci’s secondary forest, composed of aluminum casts of animal, human, and plant forms, encourages one to reconsider their impact on and relationship to the cycle of life.

Karon Davis pays homage to the labor exerted by ballet dancers with Curtain Call, on the High Line at 23rd Street. The larger-than-life bowing ballerina is part of Davis’ newest series, Beauty Must Suffer, which examines the life and labor of Black dancers in their tireless pursuit of flawless form within the historically European tradition of ballet.

On the High Line at 22nd Street, Lily van der Stokker presents a monumental mural that actively engages with its audience, expressing gratitude to all those who pass, while reclaiming intimate language that is often disparaged for being feminine and unserious.

Kapwani Kiwanga presents On Growth, a sculpture of a fern encased in glass that draws on the histories of institutional and commercial botanic nurseries, which heavily influenced the scientific understanding of plants and horticulture of today.

Cosima von Bonin brings her ongoing work WHAT IF THEY BARK? to the High Line, installing a group of anthropomorphic fish sculptures above the park’s iconic 10th Avenue Square.

For the third High Line Plinth commission, Pamela Rosenkranz presents Old Tree, a bright red and pink sculpture that animates myriad historical archetypes wherein the tree of life connects heaven and earth.