Park update: The High Line will be closed between Gansevoort St. and 14th St. from 5pm to close, 6/22–6/24. The southernmost access point will be 14th Street (elevator/stairs).

Close Alert
Make an impact.
Claim a tote.

To keep the High Line vibrant, alive, and growing, we need 98 friends like you to join as members.


When you become a member before 6/15, you’ll receive our limited-edition tote bag!

Close Alert

Various Artists

Fiesta Mobile

June 2016 – August 2016

High Line Channel 14, 14th Street Passage, on the High Line at West 14th Street

June 30 – August 31, 2016
7:00 PM daily until the park closes

A group exhibition in video format which imagines the different ways in which music can be a force of social aggregation. Music is mobilized in these videos in various realms—religious, cultural, political—in ways that highlight its intense power to facilitate collective celebration, remembrance, or even protest.

Yael Bartana’s (b. 1970, Israel) When Adar Enters (2003) portrays the ubiquitous music and honking car horns that fill the small Israeli town of Bnei Brak, near Tel Aviv, during the festival of Purim.

For Pulheim Jam Session (2015), Johanna Billing (b. 1973, Sweden) invites the residents of Pulheim, Germany – a small town with an unusually high auto population – to band together to stage a traffic jam, accompanied by Swedish singer Edda Magnason’s lyrical improvisation on grand piano.

Jeremy Deller (b. 1966, United Kingdom), an artist known for organizing numerous parades, processions, and other collective actions that bring together contrasting swathes of English culture, presents English Magic (2013), the hypnotic video he created as an integral part of his installation for the British Pavilion at the Venice Biennale in 2013.

In his work Waltz of the Machine Equestrians (2012), UuDam Tran Nguyen (b. 1971, Vietnam) gathered 28 motorcyclists to “dance” together to Dmitri Shostakovich’s Suite for Jazz Orchestra No. 2, Waltz No. 2, donning medical masks and a rainbow of ponchos on newly developed lands against the backdrop of the sky of Vietnam’s Ho Chi Minh City.

Organized by Cecilia Alemani, Donald R. Mullen, Jr. Director & Chief Curator, with Melanie Kress, High Line Art Associate Curator.

UuDam Tran Nguyen, Waltz of the Machine Equestrians, 2012 (still). Video, color, sound; 4 minutes, 34 seconds. Courtesy of the artist


Major support for High Line Art comes from Donald R. Mullen, Jr. and The Brown Foundation, Inc. of Houston. Additional funding is provided by The Andy Warhol Foundation for the Visual Arts, and Dorothy Lichtenstein. High Line Art is supported, in part, with public funds from the New York City Department of Cultural Affairs in partnership with the New York City Council and from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.