Park update: The Interim Walkway at the Western Rail Yards (between 30th & 34th Streets) is temporarily closed today.

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30th Street Challenge
Give by June 20

To meet the demands of our busiest time of the year, we ask all friends of the High Line to help us raise a total of $30,000—$1,000 for each block of our 1.5-mile-long park along Manhattan’s West Side.

Photo by Timothy Schenck

Kathryn Andrews

Sunbathers I & II

May 2016 – March 2017

On the High Line at West 18th Street and under The Standard, High Line

May 2016 – March 2017

In her sculptures and wall works, Kathryn Andrews appropriates images from popular culture, often from American movies, television, and stock photography archives; she then alters and recontextualizes them into three-dimensional configurations to create new narratives where viewers are invited to rethink the images’ content in relation to their own bodies. Frequently, Andrews works with stainless steel and aluminum, polished to a mirrored finish, to further challenge the perception of reality and its depiction, and the ubiquitous photographic world that proliferates in advertising and on screen.

For the High Line, Andrews presents her first public art commission, responding to two contrasting aspects of the elevated park: its relationship to nearby billboards and to the natural landscape. Andrews describes the High Line’s environment as a “hyper-surreal image world,” composed of large-scale advertisements and commercial signs that surround park visitors as they stroll high above the bustling cityscape. Andrews notes, by contrast, that the High Line’s physical design offers visitors a chance to develop awareness of the body in relation to extreme natural weather conditions including intense winds, rain, snow, and sun.

Andrews’s first sculpture, Sunbathers I, is a towering box-like structure, silkscreened with a black-and-white stock image of a public beach sign that announces, “Beyond This Point You May Encounter Nude Sunbathers.” Installed at West 18th Street, the sculpture houses misting nozzles that spray water intermittently at passers-by. Placing this work on the High Line, where nudity is not allowed draws attention to the more risqué social mores displayed on nearby billboards. The second sculpture, Sunbathers II, installed under The Standard, High Line, is a large, horizontal aluminum box containing a giant fan and featuring a photograph of an ice cream cone. The fan’s movement is juxtaposed with the adjacent static image, mirroring the park itself.

Organized by Cecilia Alemani, Donald R. Mullen, Jr. Director & Chief Curator.

Photos by Timothy Schenck.

Artist bio

Kathryn Andrews (b. 1973, United States) lives and works in Los Angeles. Recent solo exhibitions have included the Museum of Contemporary Art, Chicago (2015); Bass Museum of Art, Miami (2014); and Museum Ludwig, Cologne (2013). Notable group exhibitions include Teen Paranormal Romance, traveling to Santa Barbara Museum of Art (2015); the Renaissance Society at The University of Chicago (2014); and Atlanta Contemporary Art Center (2014); The Los Angeles Project, Ullens Center for Contemporary Art, Beijing (2014); When Attitudes Became Form Become Attitudes, Museum of Contemporary Art Detroit (2013); Made in L.A. 2012, Hammer Museum, Los Angeles (2012); and First Among Equals, Institute of Contemporary Art, Philadelphia (2012).


Kathryn Andrews, “Sunbathers I & II”, is supported, in part, by Christen and Derek Wilson, VIA Art Fund, and HFZ Capital Group.

Courtesy of David Kordansky Gallery.

Major support for High Line Art comes from Donald R. Mullen, Jr. and The Brown Foundation, Inc. of Houston. Additional funding is provided by The Andy Warhol Foundation for the Visual Arts, and Dorothy Lichtenstein. High Line Art is supported, in part, with public funds from the New York City Department of Cultural Affairs in partnership with the New York City Council and from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.